The Malagasy Visual Artist, a specialist in conceptual art, will be Madagascar, which is for the first time participating in the 58th edition of the Venice Biennale, from May 11 to November 24, 2019.
Côte d'Ivoire, Mozambique, Zimbabwe … Madagascar will be the first to participate in the Venice Biennale, the world's largest art fair, which will start on May 11th. From 2015, the event is open to Africa under the leadership of Nigerian Commissioner Okwui Enwezor, the first African to lead the fair.
In addition to Ghana, who will be present in Venice for the first time with Ibrahim Mahama or the famous British-British architect David Adjaye, Madagascar will be represented by internationally acclaimed visual artist Joël Andrianomearisoa. "These are the emotions of joy, pride, as well as the doubts and insecurities that make me angry," says the artist who met in his studio.e Paris region. "The establishment of the pavilion at the Venice Biennial is not only an artistic issue, it is also an economic and diplomatic issue, the idea is to prove that there is Madagascar and that my country can participate in such an event."
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The work of Joël Andrianomearisio, 41, has been exhibited in the largest galleries and cultural institutions in the world, such as Maxxo in Rome, Hamburger Bahnhof in Berlin, Smithsonian in Washington or Center Pompidou in Paris. However, it is still a turning point in the artist's career through Venice. "This is the point that is marked: for me Venice is not the end, the achievement, but the starting point, what will happen next, this is what is important to me," explains, without false modesty, an artist who has just participated in the big Art Basel in Hong Kong.
The art of Joel Andrianomearisoa is unique. The artist shapes the shapes through which he makes emotions. Everything is universal. "I am more concerned with the topics that are in sentimentality, I am talking about melancholy, grief, desire, these are extremely complex things that are in our hearts, not tangible, but very universal. I am constantly on the search for the materialization of feelings."
A few works from the exhibition "The Endless Horizon is the Theater of Our Feelings" by Joel Andrianomearisio at the Zinsou Foundation of Contemporary Art in 2017 in Benin.
And what better than expressing this universality through paper and especially textiles, his favorite theme. Aluminum sheets of cigarette boxes found in an abandoned factory in Benin, curtains collected in Italy, or pieces of tissue found in Mali … "Textiles are a universal medium found in every culture, from the United States to Australia, very is present in African culture, defines us, is a matter of emotions. " crying in his handkerchief and wiping his mouth with a towel, "says an artist living between Paris and Antananarivo and whose works are dominated by black and white. Always express this duality between day and night or joy and sorrow.
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In his works, Joël Andriaomearisoa also experiments with video, photography and sound. Marie-Cécile Zinsou, President of the Museum of Contemporary Art Ouidah, who is very committed to restoring the royal treasure demanded by Benin, is a "multimedia artist".
Joel Andrianomearisoa was born in 1977 in the Malagasy capital and grew up in the midst of a socialist revolution, led by the commander Didier Ratsirak, called "Red Admiral". Dark years. At the age of 18, he moved to Paris, where he studied architecture after hesitating between fine arts and design school. Better yet. "Young people, I always wanted to shape shapes and I think that architecture is the most comprehensive field of reflection, but in architecture you have to conceptualize, have an idea, be creative." The meetings of Jean-Loup Pivin, the architect and founder of Revue Noire, a specialized quarter in the field of contemporary African art, and Simon Niamen, a writer and Cameroon art critic of the continent, influence his career and his work.
Although internationally known in Europe and the United States, Joel Andrianomearisoa, like the great African artists, is little known in the continent where the appearance of galleries or artistic expression spaces has been recently. "It's frustration, but I'm not one of those who think that the guilty of African governments is if culture is not a priority, it's the responsibility of people and patrons, which I never believed," explains the one who is looking forward to a new The Malagasy regime is interested in art, culture and heritage.
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President-elect Andry Rajoelina promised in his general state policy, presented in February, the restoration by 2020 of Rova Manjakamiadana (royal palace), the official residence of the rulers of Madagascar during the XII.e and XIXe "This new regime is a new breath for Madagascar. We have a president who is young and who wants to put culture at the forefront. I believe in 100%," says Arco Madrid Audemars Piguet 2016.
In Venice, the pressure will be huge. With its 150 m pavilion2Madagascar hopes to label spirits.