Julia Roberts is expected to be exceptional. As for the rest of the broadcast of the podcast? He is researching Calum Henderson.
If you remember one thing about a podcast version of Homecoming, it's probably a fish tank. Bubbling away in the background was a smart way to set the scene inside the show's main show office.
When you see the highly anticipated TV adaptation in the initial episode of Amazon Prime Video, it's how you always imagined it would look – perhaps just a little smaller, and there are not so many types of fish, but it still feels familiar.
Adjusting the podcast to the screen is the same as with a number of on-screen adjustments: no matter how good it is, it can never quite satisfy the version that was for the first time in your imagination.
This is unfair, but it is not a lack of creativity. With the director, Mr. Robot Sam Esmail, the show has a special visual style that sits perfectly with the tense, paranoid mood of the performance.
The first episode, adapted for hearing original creators Eli Horowitz and Micah Bloomberg, is still heavily based on the original dialogue that extended Esmail and Robot to the cinema Tod Campbell with a range of spectacular long trackers Alfred Hitchcock were proud.
Longest standing hours in almost 3 minutes, and offers a vast visit to the Homecoming facility between the eyebrow eyebrow rings between the caseworker Heidi Bergman (Julia Roberts) and her boss (Bobby Cannavale).
The facility is presumably a place where the return of US soldiers can be safely adjusted to civilian life, supported by examples such as Bergman. Her phone call and the stunning of the cinema accompanying her make the first real indication that things may not be exactly what they think.
Roberts is presumably remarkable as an idealist Bergman, especially in his long, absorbing office scenes conversing with returning soldier Walter Cruz (Stephan James).
Her story is in two separate time paths – there is a current day working in the homeland and four years into the future, where she works as a waitress in an undoubtedly bad water dinner.
When a researcher from the Ministry of Defense shows up with some questions about his time at home, it's strange to remember almost nothing about it.
These future scenes in which Bergman begins to try to combine the secret of her defective memory are recorded in a ratio of almost upright appearance – such as watching in the phone.
Once you find that your current is not playing, that's actually meant to be so, this is just another part of the visual display style.
The original podcast was great, because it did its best in formatting restrictions, making you feel like eavesdropping on your conspiracy phone calls and sessions of counseling sessions.
Some of these are lost in switching to the screen – the TV version feels much denser, the type of play you want to watch twice to fully appreciate.
It's also brilliant, only in a different way.
• Homecoming is available through Amazon Prime Video.