Creating a military film with a woman's appearance, such as the ambition of filmmaker Eve Husson with Les filles du soleil, the fate of Kurdish fighters, and work that some consider "naïve" when others praise his courage and his humanity.
The battlegrounds for 25 minutes is boring! "The director in Cannes, where the film was freshly received in spring, estimates" What I want is to be with people, "she insisted.
In theaters on Wednesday, The Girls of the Sun rave an object that is almost never seen on the screen, at least in fiction: the fate of Yezidi women (who was not recognized in that movie as such) captured by jihadist, turned into sexual slaves and became for some, armed fighters.
A story based on the real facts inspired by this director who claimed to be a feminist approach facing the film industry, "dominated by a white male look". "I think it is very important that the world is represented as it is … with strong women who are not just victims or prostitutes," said Eva Husson, who often spoke with war veterans and veterans.
By attacking the war film, after the first comprehensive film about young people organizing the sex organs (Bang band), only women are interested in focusing on their career and not on the fight. Her film follows Bahar, played by the Iranian actress Golshifteh Farahani (very involved in her role), during a few days offensive against Islamists somewhere in Kurdistan in November 2015. Reflection on motherhood, the struggle, the city of women, all of which greatly emphasize music ( too?), the film captures very carefully their heroines.
With flashes and scenes with a journalist, Mathilde (Emmanuelle Bercot), the viewer discovers that before carrying a grate Bahar lawyer, married and mother. Her life changed because of the sudden arrival of "men in black" who killed her husband, kidnapped her child and made her a sexual slave. Reality was a disgrace, but the director abstained from showing some atrocities that the specimens would not reduce the status of "victims".
She prefers to build the departure of these fighters, record her perseverance, as well as those women on the verge of birth, flee from the Islamists. Defending a woman's view, where attention is paid to representing the female body, violence against women, sex and nudity, Eva Husson believes that such a scene would be "much more" men with filmmakers.
"He claims to be very feminist. I do not have any differences," said Emmanuelle Bercot, also a director (header up). "A woman wants to show her in her way, without making them beautiful, but with balls. She is like a painter with us." "I bet you said it was a women's movie," said Thierry Frémaux, general manager of Cannes, who announced the selection of the film in competition. Croisette was deeply divided as expected.
"On the one hand it brilliantly illuminates a terrible and important story (…), but on the other hand, it does so to hurt its message," wrote Hollywood Reporter, when Indie Wire was not predicting anything less than the Golden Palm Eva Husson. "All the films I have adored are vaccines. A film that has a strong aspect is almost necessary to split," the director said.