Although both emphasize that both functions are smooth this time – because they work everywhere with the same responsibility – the division of functions is as follows: Juris Jonelis is an artistic director, Roberts Rubin is the director of screening and visual video.
Jonas reveals – the group talks a lot about what next year will be in Latvia. "This is our main point of thinking about the concept of this project – what do we want to pass on to the following people, the future generations who will live in Latvia, take care of this and shape it? We take care of our experience. That is only a hundred years and we want Latvia for at least ten years a moment, but the moment when the first hundred people in Latvia flock to another is special. "
The project will be huge and ambitious, and this feeling will be enhanced with a multimedia orientation. "Our goal was not to achieve a big event at any cost, we tried to jump higher than ourselves," notes Rubin. "Yes, in the press to attract people, this is emphasized, but in our case, multimediaism is emerging through the idea. It all started more than three years ago when the competition was announced. We did not know what it would be, but we saw it. We agreed that it is not important for us to separate the genres, but we want to combine everything into the whole story – whether it will be a movie or a performance to integrate everything into a perfect indivisible execution. The rules required dance, classical, contemporary and folk dance as basic genres, but we also help acrobats, modern dance and sports dancing. "
But why are "both Malas" capitalized? It looks pretty nice!
"Without dance, we also take into account all the previous experiences, which in my case are very much related to the video – cooperation with Didzis Jaunzems is old," says Robert Rubin. "We take what is already ready.
In the centuries, the best thing that has been compiled is to make a good result!
Soon we came to the stage. In principle you do the sixth part of the open big Olympics. We created a set design as a fluttering flag – in the middle is the line: the fate of Daugava, the street, the railway or the road. Time line running through both sides. Rob, of course, fulfilling it. "
Juris Jonelis: "One of the settings – we wanted" Riga Arena "to open a folded letter that opened and can be seen for 100 years.
However, choosing what to do in two hours is not an easy task.
We begin with what his values and inspirations are, for which we burned him and became a culture of our rights, thus compelling Latvia. In order to unite all together in one show, the main story of the Mar – Girl is on 18 November at the age of 18. We look at everything through her prism – as if Latvia were eighteen. "
Roberts Rubins: "We created Libreto. First we created a system of images with Juris, we occasionally approached Rasi Bugaviciute, advised Raimonds Briedis, and then came Reinis and Andris Sareans, who gave their direction with music and then left Jurij superfluous personalities – like brooms that clean their very smart layers … "
When asked what kind of feeling should be when spectators leave Arena Arena, directors do not hide that they originally thought of it. One of the thoughts – to leave the "Arena Riga" and where to go: stop, understand where we stand and who are around us around us. And how do we want to live yet?
Now the group is strenuously striving to fulfill the love of man for our country – that Latvia is not just the word of the day, but our ancestors who remained on the ground in the ground.
The feeling must be that we are Latvia – that this country depends on us.