the latest amazing trick – Libero Quotidiano



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Lucia Esposito

Neapolitan music is much more than the sound that accompanies the days: it is the soul of the city, the essence of the people who gave the world the songs that are still alive after centuries. When marker Ugo Frigerio won the Olympic Games in Antwerp in 1920, the group that was supposed to perform the Italian anthem lost the score of the Royal March, so the conductor asked his orchestras to play “O sole” mio to solve the problems. if everyone knew by heart.

The audience immediately began singing a song by Giovanni Capurro and Eduardo Di Capua. That Naples is a city of music has been so well known since Roman times that Emperor Nero, who loved to compose and sing, decided to perform in a pagan temple in a place now called Madonna di Piedigrotta.

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A party was held here for years, at which many songs were released, which later became classics (including ‘O sole mio). And yesterday, on the other side of town, in the popular Forcella district, Marisa Laurito, artistic director of the Trianon Viviani Theater, opened a museum of Neapolitan song. But don’t imagine a dusty and nostalgic space to put the past under a display case and treat it as something lost.

It is called the Room of Miracles and is a box in which the visitor is received – or rather kidnapped – and literally “inside” the melodies of Neapolitan songs are brought in. It is a virtual space – designed by Laurito and designed by director and set designer Bruno Garofalo – that offers the public the opportunity to immerse themselves in the city’s centuries-old musical tradition. The lucky ones who enter this room first walk the alleys and shout at the street vendors while echoing the many songs inspired by the market.

The scenery changes soon after, the cries of street vendors and hedgehogs are replaced by the clapping of the waves, while, as in a great embrace, the notes of a song dedicated to the sea contained by Naples begin.

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A virtual walk then leads the visitor through the enchanting landscapes of the Amalfi Coast. Vintage photographs and paintings as well as environmental reconstruction in costume will allow you to travel through time and space. Just over twenty-five minutes to immerse yourself in a past that the city and the whole world have never erased.

“I dreamed about this room back in the 1990s and for me it is a dream come true. I love all the songs of the early twentieth century. In those years, there must have been something special in Naples, the scent of flowers and the sea that inspired everything from shoemakers to doctors. The great Raffaele Viviani, for example, could not read and write, so he created music in his head and then whistled it to a piano teacher.

The Belcant giants also came to Naples to listen and get inspired by Neapolitan melodies, ”explains Laurito enthusiastically. By the end of the year, Trianon Viviani will also open Sob’s Memory, a public space run by Pasquale Scialò: where they will be able to enjoy digitized content from the 19th century to the present: sound recordings, printed scores, autographed manuscripts, presentations, posters, theater programs, photographs, cartoons and films. “I am very confident about the future.

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There are a lot of promising young people that I really believe in. Neapolitan music will never stop playing, ”says Marisa Laurito. It is a pity that the wave of the politically correct hit even one of the most beautiful Neapolitan songs, Totò’s Malafemmeno. During the Amici episode, the word “bad faith” was censored because it was considered wrong. We might recall that in the dialect “malfemena” is used for a woman who enjoys seeing her lover suffer and who has no resentment at all.

But to silence those who, in the name of the politically correct, feel obliged to put silence on the masterpiece of music and words like Malafemmena, Totò’s own words seem much more effective: “Mom, please …”.



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