Every journalist interviewed Yuan Keping, writer Dajiang Dahey: It is good to attract 20% of the work.


At the end of the year, "Velika Reka" not only broke the drama of 2018, but it also opened well for the year 2019.

Gentle and friendly Ping Ping, temperament and straight eyes Lei Dongbao, smart patrol Yang, Song Yunhui from the spleen to a little … These fresh characters are still impressed in our minds, even if they leave the screen. .

"Dajiang Dahe" has put an end to the gap between generations of old and young people and has become a popular drama for all people. What are the highlights of the second part? How are creative workers evaluated? How good is a drama to be honored? With these questions and expectations, the journalist Daily Economic News interviewed playwright Yuan Keping when he ended up in "Dajiang Dahe".

In Beijing in winter, there was a bitter barrier, Yuan Keping experienced a cold, when he recovered, he was still exhausted, but when he talked about the emergence of Dajiang Dahey, he immediately became full of energy and enthusiasm.

Talking about good works: It's vital to write some powerful people

"Writing is a very difficult thing and requires sincerity and hard work." At the beginning of the interview, Yuan Keping expressed fear and perseverance in his creation.

The film industry was in a difficult position in 2018, which is deeply concerned about everyone. After all, it's a content-based industry, capital, stars, and large IPs are just wonderful packaging and support, which is not a solution for once and for all. Yuan Keping concluded that the direct reason for the lack of good dramas in 2018: "It does not go through the creation and much of the work has been made and produced at a lower level." He believes that the failure of these games can be imagined.

From the "Theater List", "Name of the People" to "The Great Rivers and Rivers", fire is a manifestation of quality drama. "The ability of today's audience to appreciate art is becoming increasingly high, but the content we offer now is to force them to watch drama. It's very difficult." Yuan Ke said that the current film and television industry should think about how to use quality. A drama that fosters the aesthetics of a young audience, but not at the beginning of the creation of the script, is the bridge and the way.

Why can the "Dajiang Dahe" echo with generations of old and middle-aged people, any person who has experienced this period, or who has not experienced it, is deeply shaken. "Understanding times is the greatest test for writers." Yuan Keping said that if you do not like this period and this period of reform and opening, you can not stand higher than observe, experience and understand. This will be hypocritical. Therefore, "understanding the 40-year reform and opening up the biggest test for the writer."

After a thousand years of hard work, he can touch. In the show, "Song Yunping off the assembly line" embarked on a hot search that has an innumerable audience to move. "Pingping's death is an accident, but the death of my old secretary gave me the shock of the soul." Yuan Keping said that the old secretary and Lei Dongbao are the most touching characters in the "Great River", "Lei Dongbao's Falling is the fall of the first generation of reformers in China, which reminds me of the self-employed Wujiang who defeated the ruler.

Good work is not just about writing a good story, but more importantly, writing some powerful people. "I always believed that the standard of success was to leave different signs."

As a scriptwriter, more sincere and hard work can improve the quality of work effectively. In the era of diversification, there are more and more entertainment methods for everyone, while Yuan Keping believes that the work can attract 20% of people. "I never thought I would win anyone, nor did I dare expect it. My goal is to try to make more people like it."

We still regret Yuan Keping from "Dajiang Dahe". "We did not eat enough of this novel and did not achieve the best integration point, but the overall result is still relatively good."

Yuan Keping's high demands on writing are evident from his relationship with his daughter Yuan Ziba, who is the screenwriter of the play "Ode to Joy". However, before Yuan Zhi fell in love with writing, Yuan Keping never interfered with the idea that his daughters should follow this path.

When she first wrote a television series, she wrote an episode of death and wrote that six or seven episodes can not be written because people died, but all this requires that she knows and understands. Growing up. " Simple words of Yuan Kepinga feel that while she does not force her daughter to do anything, she will quietly pay attention to the growth of her daughter. "I just started to write a student class, the text is very nice, but it's not as nice as" people " . I took her writing book and ripped it, allowed her to learn to say "people." "Yuan Keping smiles awkwardly." He grew up faster and it seemed that the blink of the eye would have written the game.

We are talking about creating: there is no shortcut, you need to "grind" the startup

There are very few records on Yuan Qeping, who is not an active and productive screenwriter, before he officially retired, even a "part time" writer.

Yuan Keping worked for ten years after graduation as a construction worker, and after the success of the test group, he began to write novels. He is now a national scriptwriter of the Provincial Institute of Art in Hunan, and is considered "Dajiang Dahe". In 15 years, he created only five parts. Among them, TV viewers such as "National Action" and "The Sea" received TV Flying, the Tian Han Dynasty Award and the provincial Hunan Provincial Five Engineering prize.

It's a little bit, but "I will use all my energy to work hard to complete," Yuan Keping said, adding that he did not have shortcuts in his creation. "Good works need a certain amount of time to" exterminate "and hurry to films and television dramas. Generally, they can not pass the time trial and do not withstand the expectations of the audience. "

In 2018, when it coincided with the 40th anniversary of the reform and opening, the drama of the entrepreneurial wave began on the screen, which, during the time of reform and opening, joined the tormenting time to find the world. Yuan Keping said: "Now we are marking a number of games with tribal drama, chronographs and the main melody. It seems to have given these players one more mark: poor quality and fake, but this does not cause chronological drama and praise. But the limitations of our authors and many realities. "

"I do not believe that the main melody is not well written, but that we have a deviation in understanding the main melody. It is very important that our emotions are shared with them." Yuan Keping said that if the creator can not resonate with work, he will not be able to impress the audience. "Love of parents, love family, love kindness, love warmth, these are the common feelings of human beings, and these are the common starting points that we pursue in creation. These feelings are irrespective of age."

Yuan Keping believes that making the audience a sense of reality is the biggest problem in creating modern dramas. "If you want to write that the audience believes it is difficult, because the audience will discover it after a little rest."

Today, the film and television industry is experiencing the influence of the Hollywood industrialization system, but "re-industrialization can not ignore the creation of a scenario." Yuan Keping said.

We are talking about the bubble IP: greater prosperity will be attributed to the cold

Not much of the work of Yuan Keping, based primarily on serious realism, is surprising, however, that the veteran is innocent. "Thousands of networks had to be read, imagination, cultivation, city, science fiction, everyone can see and not see." After laughing and laughing, he fell into meditation for ten seconds. "The number of writers is rising, and quality has been decreasing lately. In the last few years there have been no good new online authors, so they have entered the bottleneck."

Although the industry is dedicated to all types of flowers, over the past ten years, the most popular theme is a large-scale IP drama adapted to the net text, and step-by-step rumors, "Flower Thousand Bone" and other explosions have come and gone. However, when the IP was transferred to a high level of capital, many IPs that did not have a fan exchange rate were sold and sold at a good price, which often led the audience not to buy it, but the word of the word collapsed .

"The depletion has passed, and the lack of excellent works in the net text will directly affect the development of film and television drama works." Yuan Keping frankly said: "When it's too arrogant, the bubble will burst and more prosperity will be colder." It also means that pessimism can be there, but do not give up. "It's normal to be in the trough, not to survive in the trough, or to have a chance when it's successful." For the author and film company, who is more patient and has a future, fire is good at cooking, but it's the easiest time to go wrong. The thing in art is perseverance. "

The interview is nearing its end, Yuan Keping revealed that he is currently preparing another contemporary theme, a time line from the late 70s to the early eighties.

Why do you have a soft spot for a modern drama? As the reform and opening has far-reaching effects on him and is full of power, he recalls this path, Yuan Keping is full of feelings: "There is no doubt that China is rich, and the most important sign is that I have never seen anyone who was worried about eating. It's a big and big thing for China! "He looked at the reporter and said in one word:" Do not think that meal is not a big deal, but for us we are never children. A whole generation.

The moment when Yuan Keping fell into memory he could not help him to stretch his fingers. "At this place I found three carrots (small thickness of the thumb), the farmer saw the hoe and persecuted me, and he wanted to escape the carrot. I ran fast and ate mud with earth. "

"China is rich and we must recognize the various dividends brought about by reform and opening up." Forty years is a long process. China has experienced tremendous changes. Yuan Keping is very pleased. "Even if farmers are still doing hard work. Work, but until it returns to poverty because of illness, a return to poverty due to illness or natural disasters, life is basically decent and almost every meal can drink, including workers who have experienced they have enough salaries now. Make time to bring your grandson, dance and dance. "

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