LAS VEGAS. It is appropriate to leave the analysis after the game. Happiness is never left and gone, if it is understood by thousands and thousands of people who put on an eternal night in Las Vegas, a casino site. Today, yesterday,
Lift lifter For a comfortable futon and away from throwing to rest to relax, he took every opportunity
he had before the microphone to continue to mark the course and rhythm he took over with this album, which gave him three
. With eight nominations, Colombian J. Balvin started as a big favorite day, but he could only take home the prize that no one would take, the best music album,
Vibrate. However, Colombia has demonstrated its strength in the complex context of Latin American music.
and DJ Steve Aoki. And live with this excellent combination, which includes Latin rhythms, jazz and a little pop, which is Monsieur Periné. Yes, also Colombians.
Television for Latin America, which TNT (about 65 million viewers followed the ceremony of this signal) and Univision for the United States, is an evening celebration (Las Vegas evening), but there is no classic delivery award As with his older brother, Grammy (or his grandfather, from the first issue, far and away: in 1959) in three time series a series of musical numbers that usually celebrate this diversity Jorge Drexler spoke in minutes after winning his third prize, the main, recording of the year. In the stalls of the imposing MGM Arena, a modern space for ten thousand viewers, the public who bought the ticket for the event acted as at any concert in the United States. He waited for the spaces to be extracted to the nearest food and beverage stand, accompanying the "shouting peeled off" to his favorite musicians, hoping to ask Man a "one more" even if they know there is no place in the city to improvise the prize And less for extension of the scheduled schedule. In this way, awards are only part of the offer. This is very clear with numbers in hand. At the premiere, a name is received which receives the first evening of the day, which can only be followed by a streaming transfer, of which 38 out of 49 prizes.
Mandalay Bay – just ten minutes from the MGM Grand, the main venue of the event – made a good part of the day's conclusions, and an irreducible trend was identified: the distribution of prizes and a good share of the winners from all odds. This first part of the Latin Grammar, as the President of the Latin Recording Academy, Gabriel Abaroa Jr. explained, had lunch for all nominated. To celebrate and hope that no one will move from the table to the end. Only the winners who were in the MGM press room in a few minutes spoke to the media all over Latin America.
They say that what is happening in Las Vegas is in Las Vegas, but it is impossible to travel around the world and anchor in Argentina, which Claudia Montero got. "Yes, I am the first Argentine woman she got", she said she moved visibly after winning not only with two Latin grammes, in the Best Classical Music Album (Magical and Mysterious) and Best Contemporary Classical Composition / Work (Lights and Shadows, Concerto for Guitar and String Orchestra). But this would be a threat to Argentine artists. Solo Fito Páez in the Best Rock song and a surprise in the tango category for Pedro Giraudo (an Argentine musician who has lived in the United States for 20 years and has beaten heavy objects such as Daniel Binelli, Rodolfo Mederos and Omar Mollo) would be picked by our artists. But far from the hope that this trend will revolve magically and that in the near future Argentina will become a new Colombian for Latin grammar, our musicians should get to work. As Soledad Pastorutti told us before dinner before the awards ceremony, when Maná has rewarded the featured poster for the year: "I am here to plant the flag so that next year this particular difference can be played by an Argentine musician or band, Now he did not reward any of our people, artists, we admit, right? "
In the same direction, the day after, and even disappointing, because you did not receive it, some musicians and managers agreed that you need to get to work. How? Connecting to the Latin Academy for Recording. The percentage of involved Argentine musicians is limited and at the end of the day are musicians and people in the industry who vote. And, as with all elections, there is a way to change the trend by voting. The victory of Jorge Drexler looks more hopeful, less skeptical, and at all not pessimistic. This should be regarded as the victory of a craft song, a small idea that is born in the artist's head and extends to the world. In the sense that Uruguay has won over-produced music, it must be seen as a new Maracanazo. This happiness still remains – but we insist on working on the other coast of Del Plata.
They set the course
On red carpet, Carla Morrison, Andrea Echeverri (later Grammy winner with Aterciopelados for Best Alternative Music Album) and Li Saumet from Bomba Estéreo. All three agree that the journey to equity goes in one direction, without rear view mirrors. After two awards, the influence on the stage for the fusion of pop, flamenco and urban rhythms, the young Rosalía (highly praised by Drexler) came into the room with her turntables in her hand and in the right words: "I will not stop fighting to find the same the number of women as men in the recording studio in order to have the same visibility to demand artists such as Missy Elliot, Björk and follow them in their footsteps, without them I would not be here. "In the same direction, a few hours before the Venezuelan Linda Briceño she asked to reward her work with excellence and not think about gender. The artist achieved another powerful influence of the 19th century. awarding these prizes to be ranked as Producer of the Year over Argentine Rafael Arcaute, Eduardo Cabra (former Calle 13), Andrés Torres and Mauricio Rengifo and Julio Reyes Copello. And while Karol G is dedicated as a new artist, the real revelation is the 15-year-old girl, Mexican Ángela Aguilar (the daughter of the legend of her country, Pepe Aguilar), who with her interpretation of the classical "La Llorona" squeezes out ten thousand souls. It transmits pain and nostalgia, which does not fit with this body coming from ancestral travelers, always stay in motion, which is not from here or from there. The voice that is migrating, like this culture, which we summarize today as Latin, and in the industry, looks with very good eyes on the market of Saxony, like never before. According to "Despacit", after Maracanas Drexler and before the next blow.