Criticism of Rome, the masterpiece of the cinema Alfonso Cuarón



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Criticism of Rome, a masterpiece by Mexican film director Alfonso Cuaron, who arrived on the Netflix digital platform on December 14th after a limited release at the Verdi Theater in Madrid and Barcelona.

The absence of an extradiegetical soundtrack, a raw black-and-white camera, and a story-teller that is revealed in a story in which intimate drama and social tragedy are mixed. They could come from the Italian non-realistic film of the late 40's, but that's it film Rooma, a rare event in the 21st century, which in itself will become 2018 best movie.

Alfonso Cuarón he directed the truth masterpiece of cinema: one of those films that are no longer done and in which he explores his own experiences, he has learned in his words "went to the matriarchy"He says he used his experience as a child to give some kind of gift to the women who raised him.

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We are located in the 1970s in the city of Colonia Roma, located in the heart of the city of Mexico City, where the family of high bourgeoisie, founded by Mrs. Sofia (Marina de Tavira), her husband, doctor and their four children, lives. Cleo works in the house (Yalitzia Aparicio), a young indigenous maid who together with Adela (Nancy Garcia) is the main concern for the care of four children of the house, order and cleanliness.

Cleo is the backbone of a family that faces problems when its patronage ratio deteriorates and engages itself in problems that have put it to the test.

During the tour, there is a moment film Rooma in which you completely destroy and realize that you have forgotten that the camera guides you through the story: the power of the Mexican director, who is also the author of the script and responsible for the photos, is the two most open sections that can be highlighted.

Enjoy it in aesthetics film on Netflix, since even the level, which seems trivial, is important for the development of history. It is one of those narratives that have a lot of inner rhymes and in which there are conditions that predict what will happen, they come to these impressions in a completely natural and not artificial way. There is no sad passage supported by violins, but everything comes to you in raw: "as a life of yourself", if you want, so empathizing with the protagonist is not only inevitable but very simple.

The director Alfonso Cuarón He was always intended to be very high and almost impossible to get his movies from his head: Your mom, children of men too o Gravitation are the three most powerful titles that characterize his career and are characterized by a very interesting use of sound, for a very solid argumentative force and very strong emotions for sowing the viewer.

Rome get everything above and much more: breathe real at all times, returning to the time, so that it seems that no art to reach the eyes and more, the heart experiences brutal because it simulates. And this is a tilt that moves in different circles: the family, the one shared by both nurses, Clea's intimacy, and the larger plane that affects the social moment they live, which of course marks the future of all these planes.

"Cleo Cleo," says Cleo Cleou at a certain point, and that's exactly what Cuarón wants to say: how in the absence of a male presence life continues, we must go ahead, break the appearance of false happiness, which diminishes the effect of this emptiness on life children and work day after day, because it does not violate the links that it unites.

Explanation Yalitzia Aparicio By the way, she goes beyond the story. The actor debuts this film and makes it unforgettable, with a role that will give her much joy. Actually, I was a teacher in Oaxaca and I did not devote myself to this film before I started this adventure, nor did I know Cuarón's work. Speaking of Mixtec, a dialect that can be heard on different occasions Rome, and said that he was interested in the film in order to enable the recognition of their language, identity and culture.

Rome is before and for Netflix: I never had a film of this caliber and its limited release in the Verde kinods in Madrid and Barcelona, ​​which had been sunk since December 5, confirm that the interest of the audience is obvious. This is said, the platform can be more useful than the impression of value and reputation as an immediate hit. Our tip: Look, enjoy, let it drag you and see where it takes you. Experience tells us that this is an absurd direct arrow in the heart.

Evaluation

The latest work by Alfonso Cuarón can only be described as a masterpiece of cinema: playing in the second league in comparison to the rest of the year. Fascinating, charming and moving everything in it is special.

The best

It's a film that magnetizes your eyes: it's impossible to stop watching the screen from the foreground. It seems very simple, but it has a lot of layers.

The worst

It begins in a very calm way, it may seem that "nothing happens" when everything really happens: you have to have patience.

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