While the action that plays on the camera at the CMA Awards is usually aimed at reaching the highest ratings, more is going on a real event that never allows viewers home. Among the ambitious performances and some unreachable instruments in cans and, oh, yes, the presentation of some awards, there are five things we noticed while sitting in the audience at Nashville's Bridgestone Arena for the 52nd edition of the biggest music on state music.
Donald Trumpov Low-Key Cameo
CMA awards hosts Carrie Underwood and Brad Paisley kept their promise to light things and avoid any political commentary in their opening monologue this year. This does not mean any mention of President Trump or a medium-term or supervisory armament or any other fragmented matter. The evening was not completely without Trump, but on the 12th edition of the CMA prize program, the audience paid attention.
Well, that @Folk music Prizes in a monologue or performance did not take place in politics, but @realDonaldTrump he appeared in the program. But he does not sound like his writing. # ccaawards pic.twitter.com/dk0oNvOqGy
– Hunter Kelly (@ hunterkelly) November 15, 2018
In a letter that was a bit like his updates on Twitter, Trump welcomed the music in the country, which says: "In the spirit and energy, millions of people throughout our country and the world are inspired and have significant influences on those from different backgrounds. "The letter continues to call the genre" exceptional music that brings people around the world. " Different background? It brings people around the world? This is quite rich, coming from "Build the Wall" alone.
Honesty, the CMA Awards program contains an annual letter from the President, so the previous editions included the letters of Barack Obama and George W. Bush. Nevertheless, it seemed that the trumpy face in the program, given the aggressively non-political tone of the performance.
Explanation of Kenny Chesney's Explained
Kenny Chesney won the Music Event of the Year to collaborate with David Lee Murphy on "Everything Will Be Good", and Murphy was alone when he took his pre-production cup. He said: "If Kenya was not, nothing would happen. With her family, she is in East Tennessee and our prayers are with him."
Chesney had to give up Murphy's scheduled CMA Awards due to death in his family, as the tweet from the CMA announced. (When it was reached for further comments, Chesney's tail stated that the tweet is the official word.)
CMA musical event of the year, winner and entertainer of the year nominated @KennyChesney will not be able to appear on tonight's television because of family deaths.
– CMA Country Music (@CountryMusic) November 14, 2018
Chesney accepted his CMA trophy through conservation, saying: "Sometimes you hear songs and feel good. Occasionally, one who feels good tells something that people need to hear. I felt like this when I hear that it will All right. I'm proud to be part of this with my friend. "
Live the world round the world
The CMA awards are given to millions of viewers, which is why this is clearly the first priority for producers representing performances. For sound engineers who co-ordinate literally hundreds of instruments to make great sounds for a three-hour television show, it's almost impossible and largely ungrateful. Plus, if something goes wrong, YouTube will live forever, so many artists choose to use already recorded songs (and sometimes vocals) to be all right. He prepares for quite a good TV, but when you actually sit in the audience, these mammals can be dragged to watch.
When the artists performed live, the transfer of energy inside the Bridgestone arena was obvious. The audience began to live when the newly hooked Hall of Fame's members of the movie, Ricky Skaggs, and his bluegrass band Kentucky Thunder fired "Black Eyed Suzie." The firework of Chris Stapleton's "Friendship" and "I'll Take You There" with Maren Morris and the legendary fount of energy, which Mavis Staples has had throughout the arena of literally dancing in the corridors. Even live sequences and close harmony of Florida Georgia Line and Baby Rexha helped to breathe new life into "Meant to Be", a song that burned death on the number one on BillboardHot Country Songs for almost a year.
The next morning, when we look at the idea of the DVR, it is clear that the energy generated in a room from live performances is definitely dedicated to a more active television. We hope that this message will get more hits in 2019.
Classic Country Sing-Alongs
While viewers at home are watching some of the messages from the fine CMA prize-winning sponsors, the audience was treated in a series of vintage successful recordings from rich archives. The first feature of Judine's "Rockin 'rhythm of rain" 1985 is followed by Lee Ann Womack's "I hope to dance", Ronnie Milsap's "It's almost like a song" and Randy Travis "Forever in Ever, Amen. "The crowd crawled cautiously while watching Alabamino" If you were playing in Texas (you got to have a hand in the band) "a big screen and the classic" All My Ex's Live in Texas "lights up the biggest audience sang at the time of the night.
Note to CMA manufacturers: Sit at the gold mine! Work on these chunks in the coming year and share this goodness with the audience at home.
Artists Loving Artists Loving Country Music
We have already heard that, but artists in the country are excited about artists from other countries. Regardless of whether Keith Urban shone every word, Jason Aldean and Miranda Lambert's "Drowns the Whiskey" or Thomas Rhett, who stands alone and rises on the stage when Midland gave Burton Reynolds this immortal Smokey and Bandit jam "East Bound and Down", these superstars were really excited to irrigate their talented talent.
Most of the night were also artists and industry, who mostly clashed their legs at the foot of the front floors. Love went into commercial breaks with artists who were younger to catch up and take pictures with one another, to the point that showed that the producers were hard to get people back to their seats before the end of a commercial holiday.
This world is far from perfect. The region has its own questions – the chronic lack of avant-garde for women, for one – but seeing this play being played is a warning that "It City" Nashville is still in many respects a small city, and the country format continues to act as widespread, incomplete family.